Saturday, January 4, 2020

Juvenile Delinquency Is Defined As Illegal Acts Committed...

Juvenile delinquency is defined as illegal acts committed by youngsters under the age of 18, especially for juveniles who grow up in low-income families and living in urban areas. Low income and juvenile delinquency is a popular theory and has always been linked in studies (Farnworth, 1984). Juveniles are usually classified as poor if they live with parent(s) or guardian whose yearly income is below the official poverty threshold. It has also been proven that children are more likely to live in poverty than adults, and that children around the ages of 6 - 11 are at risk of engaging in criminal behavior. Although children living with higher income are also reported to have committed crimes as well, researchers have proven that the crime rate is not as high as children living in low-income families (SecureTeen, 2014). According to the National Center for Children in Poverty (2008), an average family of four who live on a yearly income of $21, 200 would rank below average for the feder al income level. Studies have shown that youngsters develop well in families of higher income, whereas juvenile delinquency is shown to have a connection with children who grow up in low-income households. Because yearly income of a family is associated with certain parental characteristics such as employment status, marital status, and age, it is hard to detach the source of the outcome of a youth. Reports have also shown that twenty percent of youths are charged with a crime, which is more thanShow MoreRelatedThe Censorship of Art Essay example14698 Words   |  59 PagesThe Censorship of Art While the censorship of art is not a new phenomenon, recent years have witnessed renewed and intensified attempts to control popular culture. In particular, rap and rock music have come under increasing attack from various sides representing the entire left and right political spectrum, purportedly for their explicit sexual and violent lyrical contents. In this paper is investigated which moral codes underlie these claims against popular music, how social movements mobilize

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